\u201c\ud835\udc47\ud835\udc62 \ud835\udc60\ud835\udc4e\ud835\udc56\ud835\udc60, \ud835\udc57\u2019\ud835\udc4e\ud835\udc56 \ud835\udc61\ud835\udc5c\ud835\udc62\ud835\udc61 \ud835\udc54\ud835\udc4e\ud835\udc5f\ud835\udc51\u00e9 \/ \ud835\udc50\ud835\udc52 \ud835\udc5e\ud835\udc62\ud835\udc56 \ud835\udc51\ud835\udc5c\ud835\udc56\ud835\udc61 \u00ea\ud835\udc61\ud835\udc5f\ud835\udc52 \ud835\udc61\ud835\udc62 \/ \ud835\udc50\ud835\udc52 \ud835\udc5e\ud835\udc62\ud835\udc56 \ud835\udc5b\ud835\udc52 \ud835\udc60\ud835\udc52\ud835\udc5f\ud835\udc4e \ud835\udc5d\ud835\udc4e\ud835\udc60 \/ \ud835\udc50\ud835\udc52 \ud835\udc5e\ud835\udc62\ud835\udc56 \ud835\udc5b\u2019\ud835\udc4e \ud835\udc5d\ud835\udc4e\ud835\udc60 \ud835\udc51\ud835\udc52 \ud835\udc60\ud835\udc52\ud835\udc5b\ud835\udc60 \/ \ud835\udc52\ud835\udc61 \ud835\udc50\ud835\udc52 \ud835\udc5e\ud835\udc62\ud835\udc56 \ud835\udc60\u2019\ud835\udc52\ud835\udc60\ud835\udc61 \ud835\udc4f\ud835\udc5f\ud835\udc56\ud835\udc60\u00e9\u2026 <\/p>\n\n\n\n
\ud835\udc3d\u2019\ud835\udc4e\ud835\udc56 \ud835\udc53\ud835\udc4e\ud835\udc56\ud835\udc61 \ud835\udc51\ud835\udc52\ud835\udc60 \ud835\udc4f\ud835\udc5c\ud835\udc62\ud835\udc5e\ud835\udc62\ud835\udc52\ud835\udc61\ud835\udc60 \ud835\udc51\ud835\udc52 \ud835\udc5b\ud835\udc5c\ud835\udc60 \u00e9\ud835\udc61\ud835\udc5c\ud835\udc56\ud835\udc59\ud835\udc52\ud835\udc60\u2026\u201d<\/p>\n\n\n\n
On entre dans ce recueil comme on pousse la porte d\u2019un cabinet de curiosit\u00e9s o\u00f9 tout, jusqu\u2019au silence, serait pr\u00e9cieux.<\/p>\n\n\n\n
D\u00e8s les premi\u00e8res pages, le ton est donn\u00e9. Ici pas de plainte, pas de g\u00e9missement, seulement une lumi\u00e8re qui ne cesse de se reprendre elle-m\u00eame, de se froisser et de se d\u00e9plier. <\/p>\n\n\n\n
Elle est pareille \u00e0 un tissu moir\u00e9 qu\u2019on tournerait entre ses doigts pour en changer le reflet.<\/p>\n\n\n\n
Colette Daviles-Estin\u00e8s \u00e9crit \u00e0 la lisi\u00e8re des pays et des saisons, dans cet entre-deux o\u00f9 les mots deviennent mati\u00e8re : soie, or, pluie.<\/p>\n\n\n\n
Elle raconte avec grande d\u00e9licatesse, comme pour ne pas ab\u00eemer, ce qui reste quand tout a \u00e9t\u00e9 travers\u00e9, les secrets qu\u2019on tait, les bris qu\u2019on ne r\u00e9pare pas, les constellations qu\u2019on assemble malgr\u00e9 tout en bouquets.<\/p>\n\n\n\n
Ici, rien ne s\u2019effondre. Tout se transforme, se sublime, comme si la douleur elle-m\u00eame finissait par prendre la teinte or qui donne son titre au livre.<\/p>\n\n\n\n
Et le jardin int\u00e9rieur bruisse de vent :<\/p>\n\n\n\n
\u00ab \ud835\udc3f\ud835\udc52 \ud835\udc63\ud835\udc52\ud835\udc5b\ud835\udc61 \ud835\udc5e\ud835\udc62\ud835\udc56 \ud835\udc53\ud835\udc4e\ud835\udc56\ud835\udc61 \ud835\udc50\u210e\ud835\udc4e\ud835\udc5a\ud835\udc4e\ud835\udc51\ud835\udc52 \ud835\udc4e\ud835\udc62\ud835\udc65 \ud835\udc4e\ud835\udc5f\ud835\udc4f\ud835\udc5f\ud835\udc52\ud835\udc60 \ud835\udc51\ud835\udc4e\ud835\udc5b\ud835\udc60 \ud835\udc51\ud835\udc52\ud835\udc60 \ud835\udc5b\ud835\udc62\ud835\udc56\ud835\udc61\ud835\udc60 \ud835\udc63\ud835\udc5c\ud835\udc59\ud835\udc62\ud835\udc4f\ud835\udc56\ud835\udc59\ud835\udc52\ud835\udc60 \u00bb.<\/p>\n\n\n\n
L\u2019exil comme g\u00e9ographie du c\u0153ur plus que du corps. Et cette obstination discr\u00e8te \u00e0 faire, de chaque fragment perdu, un fragment d\u2019or\u2026<\/p>\n\n\n\n
Les peintures vives de Philippe Croq ne viennent pas illustrer ce bijou, elles le prolongent, ajoutent une couche de lumi\u00e8re \u00e0 une lumi\u00e8re d\u00e9j\u00e0 dense.<\/p>\n\n\n\n
L\u2019\u00e9dition num\u00e9rot\u00e9e, presque confidentielle, semble vouloir prot\u00e9ger ce livre du grand vent\u2026un peu comme on scelle un disque d\u2019or pour qu\u2019il ne s\u2019effeuille pas.<\/p>\n\n\n\n
Ce recueil se referme (ou plut\u00f4t ne se referme jamais tout \u00e0 fait) sur ces mots qui r\u00e9sument, mieux que je ne saurais le faire, tout l\u2019art de Colette Daviles-Estin\u00e8s :<\/p>\n\n\n\n
\u00ab \ud835\udc47\ud835\udc5c\ud835\udc62\ud835\udc61 \ud835\udc52\ud835\udc60\ud835\udc61 \ud835\udc50\ud835\udc5c\ud835\udc5b\ud835\udc61\ud835\udc52\ud835\udc5b\ud835\udc62 \ud835\udc59\u00e0 \ud835\udc51\ud835\udc4e\ud835\udc5b\ud835\udc60 \ud835\udc59\ud835\udc4e \ud835\udc59\ud835\udc62\ud835\udc5a\ud835\udc56\u00e8\ud835\udc5f\ud835\udc52 \ud835\udc53\ud835\udc5f\ud835\udc5c\ud835\udc56\ud835\udc60\ud835\udc60\u00e9\ud835\udc52. \u00bb<\/p>\n\n\n\n
*L\u2019or saisons *, Colette Daviles-Estin\u00e8s<\/p>\n\n\n\n
Peintures de Philippe Croq<\/p>\n\n\n\n
Editions Tipaza<\/p>\n\n\n\n